When I started watching Darling in the FranXX at the start of the winter season I didn’t really have any idea what I was getting myself into. Is this a mech show? Is it a romance? Is it a sci-fi commentary on humanity, modernity and our ongoing march into the future? I’m making a point of course, because Darling in the FranXX is all of these things and, disappointingly in most cases, more. If it had shared it’s eggs out in less baskets things could have been better – but that wasn’t the case, and now let me explain why.
Synopsis
In the near future humanity has been all but wiped out by a race of pre-human terrestrial creatures known as Klaxosaurs. Humanity lives within moving settlements know as ‘Plantations’ where adults inhabit cities and children fight to protect them using humanoid mechs called FranXX. One day, on child fighting in this way (known as parasites) called Hiro encounters a new strange pilot that he gives the nickname Zero Two and the two start piloting a FranXX together against the Klaxosaurs and other enemies of humanity…
Plot
The problems start with the plot structure and writing of the story. Darling in the FranXX is written in such that it is designed to cover up it’s true purpose until much later in the show. Like a murder mystery, the answers were there if you knew what to look for. The opening 12 episodes mainly focus on squad 13 fighting Klaxosaurs, exploring their local environment and coming to terms with the feelings of growing up. Looking over the fanbase’s irrational explosion over two of the female characters (which I vaguely discussed here), FranXX seemed to be setting it’s stool as a coming of age romance drama – still not ideal given the sci-fi setting but better than what happened in the second half.